With his paintings, Monet strove to capture a fleeting moment by rendering the nuances of light and color. He most often chose to paint landscapes and leisure activities-everyday activities of modern Paris that were considered to be unworthy subjects for art, compared to the highly respected religious and mythological subjects. Like many other Impressionists, Monet had little success in his early years. Impressionists were initially criticized for their unworthy subjects, unrealistic colors, garish color combinations, and loose, seemingly unfinished brushwork. That label-derived from Monet’s painting, Impression, Sunrise of 1874-stuck, and produced the moniker of “Impressionists” for the group. They had so much trouble getting their work exhibited that they created their own independent exhibition, which yielded only ridicule and a sarcastic label for the group of artists. In the 1860s, Monet joined a group of young artists who began to challenge the rules for making good paintings. Plein-air is French for “open air” and refers to paintings created outdoors. ![]() With a local reputation as a caricaturist, he attracted the interest of landscape painter Eugene Boudin, who introduced the young artist to plein-air painting. ![]() ![]() His father was a wholesale grocer, and after his mother died when he was 17, an aunt encouraged him in his efforts to become an artist. The most widely known French Impressionist and leader of that movement, Claude Monet was born in Paris and grew up on the Normandy coast.
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